I took the lad to see the acrobatic spectacular Le Grand Cirque and it was absolutely stunning.
Once I got over my annoying tendency to make disparaging comments about the unlit areas and the dark spots I really started to enjoy the whole theatricality of it. The acrobatics and daring feats of strength and agility were very impressive.
Tonight I had to help take it all down. The magic and colour all disappear once the House Lights are up and the Star Cloth has been struck. Smoke and mirrors - that's all it is - but it works.
These are some of the tools of my trade and lately they've been getting a lot of use.
The Festival Factory has all the venues in the House working hard - as it should be. I recall several years when there were no Sydney Festival events happening in the House - which seems strange considering its flagship status for the city and the state.
Now I have to constantly check my diary to find out what I'm doing and which theater I'm in; Playhouse one day with Construct; Concert hall bunp-out of Spanish Harlem Orchestra next; back to the Playhouse and put in Akmal; - prep for the Media Release of Edward Scissorhands in the Drama; What day is it? Where am I ?
I think it will all calm down in a few weeks when the SSO comes back to the Concert Hall and a good dose of Shakespeare is installed in the smaller venues. Then I can look forward to swapping my Shifting Spanner for a set of circulars.
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3 comments:
I love reading about your job. It's so highly skilled and interesting.
Yeah - I'm also impressed by your job, it seems so interesting but I know it's really just hard [interesting] work!
Hope you find some time for knitting!
http://2hot2knit.blogspot.com/
I read a lot about the Circle of Death and how they trained for 2 years just to give the inside of the circle a go....looked tres spooky.
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